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- <text id=94TT0708>
- <title>
- May 30, 1994: Books:Wasp Sex '73
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- May 30, 1994 Jacqueline Bouvier Kennedy Onassis
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA: BOOKS, Page 65
- WASP Sex '73
- </hdr>
- <body>
- <p> A novel describes Cheeverland in the era of Naugahyde
- </p>
- <p>By Ginia Bellafante
- </p>
- <p> The purveyors of popular culture have turned the 1970s into
- the decade of the moment. Fashion has reprised platform shoes,
- Pumas and bell-bottoms. Movies, TV shows and magazines marketed
- to the children of those taste-free years revel in their endless
- allusions to the Bradys and the Partridges.
- </p>
- <p> More than any one character, it is the decade of the '70s itself
- that serves as the focus of Rick Moody's deft second novel,
- The Ice Storm (Little, Brown; 279 pages; $19.95). The story
- of the Hood family is set in 1973, by which time, as Moody writes,
- "the Summer of Love had migrated, in its drug-resistant strain,
- to the Connecticut suburbs five years after its initial introduction."
- In this new era of shag carpets and social upheaval, the Hoods
- and other New Canaan families have exchanged Chippendale propriety
- for Naugahyde and wife swapping.
- </p>
- <p> The Hoods are a troubled lot. Father Benjamin is a securities
- analyst always drunk, always cheating. His wife Elena is too
- obsessed with herself, the I Ching and the writings of Masters
- and Johnson to offer the teenage Paul and Wendy any semblance
- of stability. In turn, the children, pained and neglected, seek
- comfort in Seconal and promiscuity.
- </p>
- <p> While the problems of the Hoods are unrelenting, Moody recounts
- them with a detachment that sets the novel apart from those
- darker chronicles of New England suburban misery, the works
- of John Cheever and Richard Yates. Moody is a stylishly clever
- writer, but by making one too many references to Match Game
- and eight-track tapes, he undercuts the struggle and pathos
- of his characters. Nevertheless, we sense that somewhere today
- in New York or Los Angeles or Washington, mid-thirtyish Paul
- and Wendy are paying big therapy bills.
- </p>
- </body>
- </article>
- </text>
-
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